Primary sources
Brown, George Mackay, “Intrusions into an archaeological script”, MS, undated, supplied by kind permission of George Mackay Brown himself and held neither at the National Library of Scotland nor the Edinburgh University Library or the Orkney Kirkwall Library.
Brown, George Mackay, Unpublished letters to Ernest Marwick and other manuscripts, National Library of Scotland (Edinburgh), Department of Manuscripts, Scottish Record Office, ref.: D31/30/3; D31/30/4.
Brown, George Mackay, “Writing in Orkney”, MS, undated, Library, Kirkwall Archive.
Brown, George Mackay, “The Broken Heraldry”, Memoirs of a Modern Scotland, ed. Karl Miller, London: Faber, 1970, chapter 9.
Brown, George Mackay, The Orcadian poet GMB reads his poems and a story (LP), Eire: Cladday Records, 1971.
Brown, George Mackay, An Orkney Tapestry (1969), London: Quartet Books, 1973.
Brown, George Mackay, “Sealskin”, Hawkfall, London: Triad Paperbacks, 1974: 137–160.
Brown, George Mackay, “Writer’s Shop”, Chapman 16 (Summer 1976): 21–24.
Brown, George Mackay, Magnus (1973), London: Quartet Books, 1977.
Brown, George Mackay, “The Seven Poets”, The Sun’s Net, London: Quartet Books, 1978: 257–268.
Brown, George Mackay, The Voyage of Saint Brandon, Three Plays, London: Chatto & Windus/Hogarth Press, 1984.
Brown, George Mackay, “The Seven Ages of George Mackay Brown”, The Scotsman 30 August 1986, 1–2.
Brown, George Mackay, “The Corn and the Tares”, The Masked Fisherman and Other Stories, London: John Murray, 1989, 85–104.
Brown, George Mackay, Rockpools and Daffodils, Edinburgh: Wright, 1992.
Brown, George Mackay, For the Islands I Sing: An Autobiography, London: John Murray, 1997.
Brown, George Mackay, The Collected Poems of George Mackay Brown, ed. Archie Bevan and B. Murray, London: John Murray, 2005.
Woods David (ed.), “One Star in the West: George Mackay Brown at 70”, BBC Scotland, produced by Sheena McDonald, 1991.
Secondary sources
Abraham, Nicolas, “Psychoanalytic Esthetics: Time, Rhythm and the Unconscious”, Diacritics 16.3 (1986): 3–14.
Annwn, David, Inhabited Voices: Myth and History in the Poetry of Geoffrey Hill, Seamus Heaney and George Mackay Brown, Frome: Bran’s Head, 1984.
Attié, Joseph, Mallarmé le livre, Losange, 2007.
Attridge, Derek, The Rhythms of English Poetry, London: Longman, 1982.
Attridge, Derek, Poetic Rhythm. An Introduction, Cambridge: CUP, 1995.
Campbell, Robert Jean, Campbell’s Psychiatric Dictionary, 8th ed, Oxford and New York: OUP, 2004.
Carper, Thomas & Derek Attridge, Meter and Meaning: An Introduction to Rhythm in Poetry, York and London: Routledge, 2003.
Derrida, Jacques, De la grammatologie, Paris: Minuit, 1967.
Derrida, Jacques, L’écriture et la différence, Paris: Seuil, 1967.
Harding, D.W., Words into Rhythm: English Speech Rhythm in Verse and Prose, Cambridge: CUP, 1976.
Heaney, Seamus, Death of a Naturalist, Faber & Faber, 1966.
Heaney, Seamus,North, Faber & Faber, 1975.
Jones, David, “Swathes from the Weave of Time: the Work of G.M. Brown”, Planet 40 (1977): 38–44.
Kristeva, Julia, La Révolution du langage poétique, Paris: Seuil, 1974.
Laplanche, J. & J.-B. Pontalis, Vocabulaire de la psychanalyse, Paris: Quadrige-PUF, 2002.
Meschonnic, Henri, Critique du rythme: anthropologie historique du langage, Lagrasse: Verdier, 1982.
Murray, Rowenae. G., Style as Voice: a Reappraisal of George Mackay Brown’s Prose (Ph. D.), Ann Arbor: University Microfilms International, 1986.
Nietzsche, Friedrich, La Naissance de la tragédie, vol. 1, ed. M. Haar, P. Lacoue-Labarthe & J.-L. Nancy, Paris: Gallimard, 1977.
O’Donnell, Brennan, The Passion of Meter: A Study of Wordsworth’s Metrical Art, Kent, Ohio: Kent State UP, 1995.
Platon, La République, ed. R. Baccou, Paris: Garnier-Flammarion, 1966.
Rousseau, Jean-Jacques, Essai sur l’origine des langues, Charles Porset, Bordeaux: Ducros, 1968.
Scammell, William, “Hard as granite, sweet as grass”, Independent on Sunday 9 August 1992, 26.